Friday, December 27, 2013

Turner's Dominion


Joseph Mallord William Turner (1775 – 1851) was an English Romantic landscape painter, water-colourist and printmaker, whose style is said to have laid the foundation for Impressionism. Although Turner was considered a controversial figure in his day, he is now regarded as the artist who elevated landscape painting to an eminence rivaling history painting. This poem is a homage to William Turner, the painter of emotion, and considered by some to be the first ‘abstract’ artist. My poem describes the discovery of Turner's paintings at the Tate Gallery in London, by a person after an argument, and in which the collision of weather, emotion and grief combines to a distressed state. The man realizes himself, reflected in the paintings… and his turbulent state abates with a calm cup of tea later.
Turner’s Dominion.

Perhaps
I was only seeking…
Some solace,
Or clarity,
Refuge on a Monday
From December
On dim shadow’d streets:
London soaked by storms…
And an argument
Between the sheets.

Slammed the door,
Enveloped in brewing doom;
A blind unreason in my mind…
And walking.

Within the Tate, rain trickling down outside,
Inside, etched on cold windowpanes and
Cold cheeks in pain and dreams
Treasuring a turbulent hurricane
In my heart… searching for eloquence,
The strain of abysmal groans…
In anger.

In the shower’d tap and click
Of footsteps…
Amongst blank staring strangers
I discovered nothing… definite:
But thro’ the wing, to William Mallord Turner
Gallow’d by his rival; John Constable,
“Those terrible airy visions” and
“Screams of painful steam…”

The scurvy rain agreed…
In miserable dribbles.
Yet I wander’d from the melancholic
To jubilation,
And uncover’d boughs of painted wind
From a mind, a vision doused with translucent fruits
Sleet-shooting, shifting veins in mystery
The brush of a delicate isle…
An emerald sparkling star,
Shrouds blending into an aqua tinted Atlantis
Or Hesperus, heavy laden with perfumed oils…
All submerged in deep marines, then slashed
With brooding crimson in abstract, angry fury.

But yet, not this one thing, nor another…
an evasive meaning… in discordance,
Something captured in flight,
On distant shores of smoke,
Thro’ perpetual dawns, and
Across limpid mountain ranges,
Slave ships, burning coal, engines puffing…
Myths rising up, grave typhoons of snow,
Encircling vales of wild waste, and
An all-consuming fire and frost.
This romance of energy
From his dyslexic perspective
Lost in passions, but all too true.

A captain lashed him to a mast;
High up, in the bird’s nest
And sailed thro’ the worst…
In an old-moaning oak, the hull
Bruised by thrashing salt waters
Stinging his eyes, and
Gulls crying.

And I, draped over a fine glaze;
Porcelain…
With a view of the lazy Thames
In sombre fog
Until
The sun cut thro’
A sketch of cumulus…
To reveal
Aurora,
As I
Sipped
The
Earl
Grey.


The Copyright to Contradictions, Gross Factual Errors and Plain Plagiarism Reserved: David John Drew, 2013.

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