Saturday, December 16, 2023

Rapture

 

Rapture

 

Slowly rises the bright and glorious Morning Star,

That plays melodious and sweet within the soul...

Our savior comes with fragrant winds from afar;

In true blinding vision that our hearts & lips extol.

 

He is Immanuel, beloved & cherished in our sight,

A redeemer who paid the full price for our life...

With thousands of Angels, He is girded with might

Chasing away all the heartache, suffering and strife.

 

Descending downward through gold drenched cloud,

With mighty trumpet blast He is earthward bound...

In a spectacular display of light His love is avowed;

Our hearts lifted high with a majestic sound.


All Rights Reserved & Copyright - David John Drew 2023

Friday, December 8, 2023

Charles Tagaki Birthday Salutation


Happy Birthday Charles Tagaki:

Charles the friends’ breath is thrice sure

Charged and bold like the noble Samurai

Composer of Haiku to the worlds wonder

Borne of the Pacific isles, this gentle Tagaki

Roaming amongst the ancient Romanians

Rising melodically through American States

Aristocratic in rank, one blessed to the core

His step is slow & sure, like on firm ground

He is to be valued as a true soul’s friend.



All Rights Reserved & Copyright // David John Drew // 2023

Friday, November 24, 2023

Auld Codgers Ramblings MMXXIII



 Auld Codgers Ramblings MMXXIII

So, we are into the third year of a geriatric presidency and hurtling ever increasingly forward to another election of the ‘same old stuff’ – providing Biden doesn’t die of old age, or potentially a re-run of the infamous ‘Trumpton’ if the main contender manages to stay out of jail in the surreal game of Monopoly in real life.

 

It’s been an eventful year for the Drew-Harrell Gang. Sadly, David’s mom passed away in April of this year; David and Kim travelled to Newcastle, Tynemouth, and Wallsend for the funeral, and reconnecting with family. They also spent some time in London with Dr. Edward Cooper in Wembley, their former Landlord and friend – enjoying themselves just as Grandma Margaret would have wanted.

 

David celebrates his first year as a security officer at the inspiring Denver Art Museum. Both he and Kim are planning a trip to Bergen, Norway to see friends in May 2024. Kim visited her sister Kerry and family in Connecticut earlier this year, and she was elected President of the Colorado Metalsmithing Association for a second term.

 

Bea and Mario celebrated their first anniversary of marriage and are happily living next door to the family home. They both visited Mexico City and Mario’s hometown of Irapuato in Guanajuato in October. Bea continues to work as an Art-Teacher at Aurora Hills Middle School. Mario still works as a manager for Comfort Suites hotel chain but is planning a major career change for 2024. We wish him the best of luck.

 

Bella successfully graduated from Denver University in June of this year with a major in psychology and a minor in studio art. She gained her independence by moving into a house across the street in which she has been recruited as a property manager. She still works as a barista at Dutch Brothers coffee chain. She is taking a break from education, but hopes to study for her Master’s Degree in the future.

 

Hannah completed her second summer as a camp counselor at Bluff Lake Nature Center, and recently found an amazing job as a behavioral technician at the Soar Autism Center in Denver. In her time off she hangs out with her new beau, Noah Ramirez – an inspiring young man from Eau Claire in Wisconsin – and who works at Verizon.

 

We never imagined getting another pet after the traumatic episode with our last dog, Finn, but Dad relented and surrendered, and we welcomed Pepper a boisterous and energetic black and white cat into the family home in October – who Hannah picked out at the Denver Dumb Friends League. 


All the best for the coming new year – The Drew-Harrell Family.  

Friday, November 17, 2023

Ron Johnson Memorial


Today the sad message came that Arnhem veteran glider pilot Ron Johnson has passed away, he reached the age of 102 years. He returned many times to the Arnhem Oosterbeek area and was a popular veteran. The Dreijenoord Hotel or to Ron, the White House " was a place of remembrance to him and where he had his final last stand during the battle. He was very proud to be asked to unveil the VC David Lord monument at Wolfheze on his former LZ.

 

Destined by fate,

On a glorious path,

In faith you ascended,

Into battle dropped,

Hard pressed in the fray,

Through fury forward,

In action distinguished,

Forever remembered,

The Spirit never dies!

 

Rest in peace Ron Johnson

Saturday, November 11, 2023

Lines on the Horse

 


Lines on the Horse (A Meditation on the Sculpture of Deborah Butterfield).

 

Strayed and downed limbs;

Articulately positioned driftwood

From Trojans ancient shore

Bronze and battle charred

Held taught in disarrayed form

To resemble a primeval ‘Equus’

A diagrammed anatomical Stubbs

Silent grazing in the concrete courtyard

Knots, grain and whorls of ingenuity

Twist rhythmically into sinew...

Muscle, bone and tendons

Shade springing to life amidst the ‘Ginko’

Darkly sketched, pregnant with life

Solitary waiting in rain, wind, and sun

Waiting for ‘chevaliers’ to race and jump!

 

 

All Rights Reserved & Copyright: David John Drew ‘Lord Carville’ 2023

Saturday, October 21, 2023

On Divine Love

 


“The words of human love have been used by the saints to describe their vision of God, and so I suppose we might use the terms of prayer, meditation, contemplation to explain the intensity of the love we feel for a woman...” - Graham Greene, ‘The End of the Affair,’ 1951


Whilst Greene is most certainly applying the conditions of love within the borders of a male to female relationship, we accept that this is not its absolute limits. Expressions of love are multifarious and directed in many different and subtle ways, not even necessarily between humans of either sex. My purpose in this article is to analyze and discuss the various means in which love takes expression, and whether Greene is, in fact, correct in claiming, or suggesting that God is merely an invention, a conception of the human mind that we describe using very human thoughts and expressions, in this context of love and devotion. 


My intention is to investigate the various modes of love from the highest to the lowest. It is my observation, that prior to considering the possibility of a supreme expression of love, we must understand, comprehend it in its lowest, most basic form and then advance toward its peak, the ultimate form and nature of love as we are able to understand it. What exactly do we mean by the word ‘love’ - and what does it mean to say, ‘I love you?’


One of the first theories of love was developed by Sigmund Freud. Freud frequently attributed human nature to unconscious desires, his theory of love centered around the need for an “ego ideal.” His definition of an ego ideal is this: the image of the person that one wants to become, which is patterned after those whom one holds with great respect. Another theory was introduced by Maslow. Maslow's hierarchy of needs places self-actualization at the peak. He maintains that those who have reached self-actualization are capable of love.


The psychologist John Allan Lee, in his book ‘The Colours of Love’ (1973) describes six types of love based on Greek definitions, varieties of relationship that might be labeled love.


Eros is sexual, romantic, or passionate, love. In this type of relationship, love is life's most important thing. Lee said a search for physical beauty or an ideal type also typifies this type of love. It can take the form of madness brought about by one of Cupid’s arrows. The arrow breaches us and we ‘fall’ in love, as did Paris with Helen, leading to the Trojan War and the downfall of Troy and much of the assembled Greek army.


Ludus is a game-playing or uncommitted love. Lying is part of the game. A person who pursues ludic love may have many conquests but remains uncommitted. It can involve activities such as teasing and dancing, or more overt flirting, seducing, and conjugating. The experience of love as a game to be played with other people’s emotions. The goal or desire is to gain control over a partner through manipulation. People who experience love as Ludus like to have multiple love interests where they are in complete control. Lying, cheating and deception are common


Storge is a slow developing, friendship-based loved. People with this type of relationship like to participate in activities together. Often storge results in a long-term relationship. It can be a familial love, the kind of love between parents and their children. It that it tends to be unilateral or asymmetrical. More broadly, storge is the fondness born out of familiarity or dependency and does not hang on our personal qualities. It is love as a gradual and slow process.


Pragma is a pragmatic, practical, mutually beneficial relationship. It may be somewhat unromantic. A person who leans toward this type of relationship may look for a partner at work or where the person is spending time. A kind of practical love founded on reason or duty and one’s longer-term interests.


Mania is an obsessive or possessive love, jealous and extreme. A person in love this way is likely to do something crazy or silly, such as stalking. An experience love as being out of control. Love can be an overwhelming experience; it turns one’s life upside down and it results in a complete loss of one’s identity. Love based on Mania is crazy, impulsive and needy. People who experience love as Mania fall in love quickly, but their love tends to consume them. Love experienced as Mania also tends to burnout before it gets the chance to mature. Such love is often marked by extreme delusions, feelings of being out of control, rash decisions, and vulnerability.


Agape This is a is universal love, such as the love for strangers, nature, or God. It is a gentle, caring, giving type of love, brotherly love, not concerned with the self. It is relatively rare. It is also called charity by Christian thinkers, agape can be said to encompass the modern concept of altruism, defined as unselfish concern for the welfare of others. It helps to build and maintain the psychological, social, and, indeed, environmental fabric that shields, sustains, and enriches us. Given the increasing anger and division in our society, and the state of our planet, we could all do with quite a bit more agape. Agape is attentive, caring, compassionate and kind—a more altruistic or selfless type of love.


In 1986, psychologist Robert Sternberg proposed the ‘Triangular Theory of Love’ that describes eight different types of love based on three scales: intimacy, passion, and commitment: non-love (low on all three elements), liking (intimacy only), infatuated love (passion only), empty love (commitment only), romantic love (intimacy and passion), companionate love (intimacy and commitment), fatuous love (passion and commitment), and consummate love (all three elements).


1. Liking - in this case is not used in a trivial sense. Sternberg says that this intimate liking characterizes true friendships, in which a person feels a bondedness, a warmth, and a closeness with another but not intense passion or long-term commitment.


2. Infatuated love - is often what is felt as "love at first sight." But without the intimacy and the commitment components of love, infatuated love may disappear suddenly.


3. Empty love: Sometimes, a stronger love deteriorates into empty love, in which the commitment remains, but the intimacy and passion have died. In cultures in which arranged marriages are common, relationships often begin as empty love.


4. Romantic love: Romantic lovers are bonded emotionally (as in liking) and physically through passionate arousal.


5. Compassionate love is often found in marriages in which the passion has gone out of the relationship, but a deep affection and commitment remain. Companionate love is generally a personal relation you build with somebody you share your life with, but with no sexual or physical desire. It is stronger than friendship because of the extra element of commitment. The love ideally shared between family members is a form of companionate love, as is the love between deep friends or those who spend a lot of time together in any asexual but friendly relationship.


6. Fatuous love can be exemplified by a whirlwind courtship and marriage in which a commitment is motivated largely by passion, without the stabilizing influence of intimacy.


7. Consummate love is the complete form of love, representing the ideal relationship toward which many people strive but which apparently few achieve. Sternberg cautions that maintaining a consummate love may be even harder than achieving it. He stresses the importance of translating the components of love into action. "Without expression," he warns,"even the greatest of loves can die" (1987, p.341). Consummate love may not be permanent. For example, if passion is lost over time, it may change into companionate love.


8. Non-love - The absence of any of the main three types of love (passion, intimacy, commitment). No connection. Indifferent to relationship.


References


Sternberg, R. J. (1986) A triangular theory of love. Psychological Review, 93, 119-135.


All Rights Reserved & Copyright David John Drew, 'Lord Carville' 2023

Sovereign Barony of Carville Anthem

 

 

At Carville’s heart unbounded pride,

Fair azure it’s ancient sky is seen…

With heads upright on honors side;

Amid the vales, and hills and dene.

 

Gentle Carvilleans pursue the good,

Arise triumphant in work and play…

No lesser bond than that forged by blood;

They guard their land and vow to stay.

 

With noble pride they treasure their past,

Yet forward mightily to future stride…

All equal in importance to the last;

Narrow the path but their way is wide.

 

People of Carville never falters or trips,

Striding onward in a steady march…

With the nations anthem on their lips;

With hearts hospitable and security watch.

 

They never surrender to the laws of fate,

Forever the brave, they shun all fear…

For each new glorious day they wait;

In fortitude they hold too dear.

 

Blessed is the sweet land that they love,

With strength and might girded round…

A grave and solemn anthem of the brave;

In fair equality they are all bound.

 

All Rights Reserved & Copyright Lord Carville, David John Drew 2002

Friday, October 13, 2023

Art is the only political power

 


“I think art is the only political power, the only revolutionary power, the only evolutionary power, the only power to free humankind from all repression…”

 

-       Joseph Beuys, 1974

 

Joseph Beuys was born May 12, 1921, Krefeld, in Germany and died January 23, 1986, Düsseldorf, Germany

 

Joseph Beuys has been described as an enigmatic, pugnacious and controversial figure in the history of modern twentieth century art, many regard his work as impenetrable, many ask if he had great spiritual powers as a shaman, an artistic genius or a political revolutionary. A few sincerely believe he was a con-man, a charlatan, although I believe he was myth-maker, carving, molding and chiseling facts into fictions out his concept of social sculpture (“Social sculpture is a theory developed by Joseph Beuys in the 1970s based on the concept that everything is art, that every aspect of life could be approached creatively and, as a result, everyone has the potential to be an artist...” – Tate Art Gallery). I find him and his work provocative, enchanting and conceptual, he definitely wanted to change our perception and definition of art, society and politics (as a founding member of the German Green Party, and designed the party's campaign poster in 1979). Joseph definitely believed that art was capable of influencing and forming the structure and shape of society and our environment.  Beuys was interested in a radical all-inclusive democracy, positing the concept of ‘Eurasia’ as a utopian combination of Europe and Asia and of East and West. 

 

He certainly had an interesting personal history; growing up in Nazi dominated Germany, he was an active member of the Hitler Youth up to the age of fifteen and during World War II, he served in the Luftwaffe as a bomber radioman, gunner and navigator. After the war Beuys returned to his native Kleve (an industrial town in Germany's Lower Rhine region, close to the Dutch border) where he met local sculptor Walter Brüx and painter Hanns Lamers, who encouraged him to take up art as a full-time career. 

 

As he developed his artistic and sculptural expression the anthroposophical philosophy of Rudolf Steiner became an increasingly important for his personal philosophy. Franz Joseph and Hans van der Grinten organized Beuys's first solo show at their house in Kranenburg in 1953.

 

In 1956, artistic self-doubt and material impoverishment led to a physical and psychological crisis, and Beuys entered a period of serious depression, indeed some claim that Beuys suffered from a form of PTSD – having been shot down as an airman and wounded several times during the war.

 

The reputation of Beuys grew to the extent that her served as a professor at the Kunstakademie Dusseldorf from 1961 until 1972. Both national and worldwide fame and repute came in 1964 when he participated in a festival in Aachen technical school. 

 

For this exhibition Beuys constructed a performance or action that created a dramatic response; it was interrupted by a group of students, one of the hecklers attacked Beuys, punching him in the face. A photograph of the artist, nose bloodied and arm raised, was circulated in the media. It was for this 1964 festival that Beuys produced an idiosyncratic resume, which he called his Life Course/Work Course. The document was a self-consciously fictionalized account of the artist's life, in which historical events merge with metaphorical and mythical speech This document marks a blurring of fact and fiction that was to be characteristic of Beuys' self-created persona

 

Beuys was motivated by a belief in the power of universal human creativity and was confident about the potential for art to bring about revolutionary change.

 

“Only art is capable of dismantling the repressive effects of a senile social system that continues to totter along the death-line: to dismantle in order to build… a social organism as a work of art…”

 

Beuys was a key participant in the 1960s Fluxus movement. At that time, many artists in Asia, Europe, and the United States became dissatisfied with a long tradition of "heroic," or object-oriented painting and sculpture and moving toward conceptual art, performance art and social activism.

 

The principal themes of his art were concerned with change, metamorphosis, adaptation and rebirth. He saw art as essentially a revolutionary act and claimed that ‘everyone is an artist.’ There isnt enough space here to give a detailed and concise report of Beuys life and work – but what we are concerned with is his claim that art is an active revolutionary act that can change society.

 

Beuys still remains largely misunderstood, such freethinking overwhelmed many people back in his day: not just the bourgeoisie and politicians, but also artists and critics. Essentially, I believe that Beuys was demanding a radical reinterpretation of art and of politics, his desire to put it back into the hands of the masses, it is the simple but sharpened genius of the common man that can assault the stronghold of professional politicians. The new artist seeks liberation from the shackles of traditionalism. Beuys redefined society as an artistic creation, his ‘social sculpture’—in an attempt to raise the people from their slumber and awaken them to our freedom to innovate and galvanize this freedom in the name of an anarchist social and ecological vision intent on dismantling state power non-violently (Allan Antliff). The philosophy of Beuys is steeped in holistic interconnectedness and works toward a free, democratic and sustainable future.

 

Beuys proposes society as a social organism – in anarchist terms a self-governing community that has no need of a political hierarchy in order to be successful, this is something we must strive for and nurture to allow it to blossom.  

 

“The most beautiful of the beautiful still needs to be attained: the social organism as a living being shaped by its inherent capacity for freedom and as the great achievement of a culture that goes beyond the modern age…”




Joseph Beuys left a heavy legacy, even after his death, he still remains an influential and complicated artist prone to disambiguation. Little has changed in the socio-political art world. Art and politics are still separate spheres, Joseph Beuys engendered a framework of multi-disciplinary practices that blended sociology, anthropology, politics, and mythology into a living, breathing sculptural form. It is extremely doubtful as to whether an artist could perform the same way as Beuys in the 1970’s, they would likely be ridiculed. I find most of contemporary art is tame, bland, repetitious; it is essentially a replica of all that that has preceded it which is sad. Modern art remains exclusive and difficult to interpret. In order for a revolutionary art to succeed it has to step outside of itself to experience dangerous proposals for change in the social milieu. Yet Joseph Beuys still persists in our imagination, he still pushes us to think of creative solutions to many of the dilemma’s that face us in the world. More than that, he continues to demand that we redefine our conceptions of art and politics into tools to craft a better future for ourselves and our children.


All Rights Reserved DAVID JOHN DREW 2007

Saturday, October 7, 2023

My 1981 Playlist (1971 – 1981)


Anarchy in the U.K. (1976) – 

God Save the Queen (1977) - 

Pretty Vacant (1977) - 

Holidays in the Sun (1977) - Sex Pistols 

 

Holidays in Cambodia (1980) –

California Uber Alles (1979) - The Dead Kennedy’s

 

London Calling (1979) – The Clash

 

Wardance (1980) – Killing Joke

 

Suspect Device (1979) – 

Alternative Ulster (1978) - Stiff Little Fingers

 

Hong Kong Garden (1978) – Siouxsie and the Banshees 

 

New Rose (1976) – The Damned (1976)

 

Emotional Blackmail (1980) – UK Subs 

 

Personality Crisis (1973) – New York Dolls 

 

Search and Destroy (1973) – Iggy and the Stooges 

 

Lust for Life (1977) – Iggy Pop

 

Blitzkrieg Bop (1976) – The Ramones

 

Chinese Rocks (1975) – Johnny Thunders and the Heartbreakers

 

Psycho Killer (1977) – Talking Heads

 

Death Disco (1979) – 

Flowers of Romance (1981) - Public Image Ltd

 

She’s Lost Control (1979) - 


Love Will Tear Us Apart (1980) – Joy Division

Monday, August 7, 2023

Phillip Ward: Rest In Peace



We are saddened to report the death of Phillip Ward of the 9th Battalion of the Parachute Regiment. Rest In Peace. 

A final Farewell - To a bold man, 
With winged heart, And a brave walk; 
Silently passing in heavenly glory... 
Seeking challenges In other realms; 
We’ll all meet again Somewhere… 

Sometime!

All Rights Reserved & Copyright - David John Drew

Saturday, August 5, 2023

The Fletcher & Drew Royal Line of Ancestors


The Royal Line of Ancestors


Arnoul de Metz (582 – 640) m Dode Clotilde de Metz (583 – 611)

Ansegisel de Metz (610 – 662) m Begga de Landen (613 – 693)

Pepin II of Austrasia (640 – 714) m Alpaïde von Echternach (654 – 705)

Charles Martel (676 – 741) m Rotrude (685 – 724)

Pepin III (715 – 768) m Bertrada de Laon (720 – 783) 

Charloman I (747 – 814) m Hidegarde von Schwaben (758 -783)

Louis le Pieux (778 – 840) m Judith de Bavaria (805 – 843)

Baldwin of Flanders (837 – 879) m Judith de Flanders (844 – 879)

Baldwin II of Flanders (865 – 918) m Aelfthryth of Wessex (871 – 933)

Adelolf de Boulogne (891 – 933) m Mahaut de Crequy (919 – 972)

Arnulf II of Boulogne & Ternois (922 – 972) m Jeanne de Boulogne (930 – 982)

Arnulf III de Boulogne (950 – 990) m Adeline de Desvres (960 - 998)

Baldwin II de Boulogne (963 – 1032) m Adelheid de Holland (974 – 1045)

Eustace I de Boulogne (989 – 1049) m Mathilde de Leuven (990 – 1068)

Eustace II de Boulogne (1020 – 1087) m Ide de Boulogne (1032 – 1113)

Geoffroi de Boulogne (1057 – 1100) m Beatrice de Mandeville (1070 – 1130)

Guillaume de Boulogne (1081 – 1130) m Adélaïde de Clermont, (1085 – 1130)

Richard de Lucy (1089 – 1179) m Rohaise de Boulogne (1092 – 1151)

Odinell II de Umfraville (1120 – 1182) m Alice de Lucy (1129 – 1197)

Richard de Umfraville (1164 – 1226) m Sybil de Torrington (1175 – 1234)

Gilbert de Umfraville (1195 – 1244) m Matilda of Angus (1215 – 1261)

Gilbert II de Umfraville (1244 – 1307) m Elizabeth Comyn (1248 – 1328)

Robert de Umfraville (1277 – 1325) m Lucy de Kyme (1281 – 1323)

Thomas de Umfraville (1321 – 1387) m Joane de Roddam (1328 – 1387)

Thomas II de Umfraville (1361 – 1321) m Agnes de Grey (1365 – 1420)

Thomas Lambert of Owlton (1387 – 1446) m Joan de Umfraville (1387 – 1414)

Christopher Sotherton (1410 – 1439) m Constance Lambert of York (1419 – 1478)

William Sotheron (1438 – 1509) m Alice Spalding (1445 – 1509)

Thomas Millington (1460 – 1508) m Agnes Sotheron (1468 – 1509)

William Millington (1490 – 1537) m Barbara Tomlinson (1494 – 1537)

William Millington II (1523 – 1562) m Margaret Steelware (1535 – 0000)

Thomas Bilbrough (1554 – 1608) m Isabel Millington (1550 – 1600)

Richard Bilbrough (1592 – 1666) m Cecilia Ainsley (1590 – 0000)

John Bilbrough (1630 – 1669) m Alice Fountance (1620 – 0000)

William Bilbrough (1649 – 1709) m Mary Percy (0000 – 0000)

Henry Bilbrough (1664 – 1733) m Mary Conyworth (1681 – 1759)

John Bilbrough (1711 – 1779) m Elizabeth Tuke (1712 – 1794)

Joseph Fletcher (1754 – 1831) m Mary Bilbrough (1755 – 1831)

Joseph Fletcher II (1781 – 1818) m Hannah Oldfield (1781 – 1829)

Thomas Fletcher (1817 – 1872) m Jane Winn (1820 – 1888)

Richard Robert Fletcher (1852 – 1917) m Mary Johnson (1851 – 0000)

Robert Fletcher (1886 – 1954) m Grace Darling Haram (1899 – 1972)

John Alfred Fletcher (1914 – 1998) m Grace Alice Wardle (1915 – 2000)

Alexander John Robert Drew (1938 – 1999) m Margaret Fletcher (1942 – 2023)

David John Drew (1964 -) m Kimberly Harrell (1965 -)

 

All Rights Reserved & Copyright 2023 David John Drew ‘Lord Carville’

Sunday, June 18, 2023

Tynemouth Priory 2023


A soft strand of sand

Telling of long-gone sagas

Whispering memories

Crisp azure blue of sky

Laments many sad losses

Permeating the mind

This cold North Sea

Grasping the bare beach

Cascading waves roll on

Inward the rhythm

Outward the breath

Teardrops mingle with rain

Crumbling decaying priory

Delicate sandstone arches

On the wind eroded headland

A promontory soaked 

In slow Benedictine chant

Facing the seagulls soaring

Time continues observing.


All Rights Reserved / Copyright David John Drew 2023

Tuesday, April 18, 2023

Mothers Passing, 18th April, 2023

 



Mother would have wanted us...


Wanted us to enjoy ourselves


At the ‘Grand’ at Tynemouth,


View of an impenetrable sea;


Rolling and rolling over time,


With the vast stretch of sands...


Sands that stretch like memories,


And the wind blows Softly, gentle;


Caressing the crumbling Priory.


Tears of the daughter caught;


Through moments of peace.


Sun warming cold skin in May,


And the presence of my mother


As mourners speak with joy...


Familiar faces around the grave,


The mother of my birth lies still,


Expanding heart; it’s all love


From beginning to the end.



All Rights Reserved & Copyright: David John Drew, April 2023